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Plays of light on the plain and the sea,in the towns and on the canals. In this counterpoint will also feature the artist, The cinema allows us to imagine a wayto see the light, to personalize it through intermediaries, a blind man for instance, to make it clear how the desire to take hold of it may arise, when we have grasped the sadness of the worldwhen it is absent from it.Image: Alexandra Leykauf, Kerman, Video still from 2min video loop, 35 mm, 2012Text: Marcel Broodthaers, Livinus-photopeintures, first published in Marcel Broodthaers:Texte et Photos, Maria Glissen and Susanne Lange (eds.), Steidl, La Fondation Broodthaers, Die Photographische Sammlung/Sk Stiftung Kultur, Colonge, 2003, p.112

Plays of light on the plain and the sea,
in the towns and on the canals.
In this counterpoint will also feature the artist,
The cinema allows us to imagine a way
to see the light, to personalize it through
intermediaries, a blind man for instance, to make it
clear how the desire to take hold of it may arise, when we have
grasped the sadness of the world

when it is absent from it.


Image: Alexandra Leykauf, Kerman, Video still from 2min video loop, 35 mm, 2012

Text: Marcel Broodthaers, Livinus-photopeintures, first published in Marcel Broodthaers:Texte et Photos, Maria Glissen and Susanne Lange (eds.), Steidl, La Fondation Broodthaers, Die Photographische Sammlung/Sk Stiftung Kultur, Colonge, 2003, p.112

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